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Interview with Ayat
January 2009 by Dave Schalek |
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An honorable mention from 2008 is the debut
full-length from Ayat, entitled "Six Years of Dormant Hatred", on
Moribund Cult Records. Ayat, a duo from Beirut, Lebanon, have formed
a particularly vicious breed of black metal. I recently reviewed the
album, and had the opportunity to interview Filthy Fuck, a member of
Ayat, via email. Please see the note at the interview’s conclusion.
Briefly describe the history of Ayat, and the
origin of the band’s name. How did Ayat form and under what
circumstances?
Sadogoat and I started playing together in the late 90’s, we created
Ayat in 2001 so we can do our own thing since musical divergences
were starting to appear in our previous efforts with other people. I
came up with the name Ayat because Islam, although being the
dominant faith that it is with more than a billion adherent, was a
topic that was never explored in Black Metal. It was as if
Christianity was that much worse and that the Muslim countries are
paradises on earth and there was actually nothing to complain about.
There IS a lot to complain about. And the term Ayat with its story
telling connotations left us space to explore other topics as well
not related to the original religious meaning. By creating Ayat we
alienated ourselves completely from the rest of the Lebanese scene
and condemned ourselves to be boycotted for a while and opposed by
nearly everyone. Actually, by everyone. Even our friends voiced
their support for us theoretically but apologized in advance for not
being there if anything serious actually happens. In any case, we’re
big time favorites now. Which is very telling. We had to be
worshiped abroad to be given the benefit of doubt at home.
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How did a band from Lebanon, a country not
known for metal, end up on Moribund Cult’s roster?
Because we’re that good.
How does the tumultuous recent history of
Lebanon factor into Ayat’s thematic and lyrical elements, if at all?
Of course it does. But the “how” takes too long to explain. We
(Arabs and the West) are different, the general shape in which are
countries are is different, when you get down to details, we even
eat our soup differently, and for a specific reason. So when it
comes to something as personal and self-consuming as writing music,
we are bound to be effected by our environment and our history.
Do you have to deal with any forms of
censorship in Lebanon? If so, do you have to rehearse and/or record
in secret?
We face absolutely no form of censorship because we officially don’t
exist for the Lebanese government. And we intend to keep it this way
for as long as possible. I smuggled a few copies that I gave to very
close friends and that will be the end of our sales here in Lebanon.
We don’t rehearse, we just write music, because Sadogoat and I live
thousands of miles apart.
Recording in secret? Do Western bands record in public? We just
record man.
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Briefly describe the recording process for
“Six Years of Dormant Hatred”.
Painful and tedious...And occasionally hilarious. I always laugh
when I get something recorded right, a sample in its right place, a
certain scream that rips, a silence then a killer riff, those good
parts always make me laugh.
So it was one year (yes it took us even more than a year to get
everything down on listenable format) of utter shit intermitted by
moments of pure authentic mischievous laughter.
Are you satisfied with the reaction to “Six
Years of Dormant Hatred”? Do you plan to tour to support the album?
I’m very satisfied. We’re getting tens and zeros everywhere. I don’t
like whatever is in between. People are either pissing on the CD or
building a shrine for it.
As for touring, I don’t think it is a possibility before the second
full length.
Explain the meaning of the term “Dajjal”.
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In Islam, Al Dajjal is the false prophet, something like your
anti-Christ. The meaning of the term can be translated rather
precisely with the term “Hypocrite”. It is someone who has all the
characteristics of a real prophet but works for a different boss.
Did the 2006 war between Hezbollah and Israel
have an impact upon Ayat’s music?
It stunned it to total inaction. It can probably affect the next
release but whatever happened during these past six years only
delayed an album that was already done. One cannot make Black Metal
IN times of war. One makes it after the rubble settles.
Does the current conflict between Hamas and
Israel influence the band’s current direction, or immediate plans?
The current conflict between Hamas and Israel cannot influence the
direction or the immediate plans of Ayat in any way. How do you want
it to influence us? Call our next album “Eyeless in Gaza, but for
real this time”? Or do you want me to tell you we’re dropping our
instruments and we’re joining Hamas on their next boot camp? You
want to know my opinion and you’re phrasing it into something
relatively connected to Ayat. I’m fine with that. I’ll tell you my
opinion.
I think this war is total crap. It’s not even a war. Israelis should
kill some of their soldiers on the way back to even the odds because
the number of casualties is so disproportionate that it can’t be
called a war anymore. But who can mess with Israel? Bless them.
They’re doing great. Holding the entire world in a headlock of
guilt. One has to at least acknowledge the astounding ingenuity.
What of Arabs? We have been degraded to the rank of a nation that
can only be allowed to talk at UN meetings once we’re leaning to a
cane and we’re bleeding from both ears. And who speaks in our name
in these dire times when we desperately need a voice? On a fuckin’
goat somewhere, Islam Osama! And the lost boy wonder of Saddam as
well. A fuckin’ happy day this is.
Meanwhile, Israel remains the only country in the world exempt from
accountability. And the death toll is rising and most of them are
children. But who cares about Arab children anyway? They’re not REAL
children. They’re just terrorists in the making. I put my TV in the
attic. This is all so sickening. And it’s quite emblematic of the
shape of the world. The Arab world should be put to sleep with an
overdose of Ketamin to end its misery. We are so embarrassing one
might wonder if we don’t deserve all of this. As for the West, in
the long run, this will mean absolutely nothing. You are already
accountable for countless slaughters, and you “technically” have no
hand in this one.
You describe yourselves as “Anti- Islamic”
black metal. Please give us a more complete description of your
intentions with this statement.
We never described ourselves as Anti-Islamic Black Metal. We are
against the religious establishment in all its forms and Islam is
just one form of it.
Given that most of our readers are in the
West, can you give us your impressions regarding black metal in the
Islamic world? Is the art form taking hold; that is, is there any
sort of “scene” appearing? What are the thematic elements present in
black metal in that part of the world, to your knowledge?
You’re not missing out on anything. Yet, I URGE you to buy Damaar’s
album “Triumph Through Spears of Sacrilege”. The best War Metal you
have ever heard in your entire life.
Lastly, do you feel the need to emigrate from
Lebanon to carry Ayat forward?
Not only Ayat. To carry anything forward one has to leave this
fucked up place every once in a while because the market is
elsewhere. But I am staying here on the long run. I won’t emigrate
to wash your fuckin’ dishes or sell you Happy Burgers and be called
“one hell of a guy” by left wing diners.
I’m staying right here making what I do best unless I get an
opportunity shining with awesomeness elsewhere. War doesn’t bother
me one bit. I am content here. I have enough money to get by and
getting laid regularly.
I’ll only go abroad to visit and take exotic pictures of you to
bring home.
www.geocities.com/swineayat/
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www.moribundcult.com |
www.metal-archives.com/band.php?id=20569
**Interviewer’s Note: The “anti-Islamic”
term is described in the entry for Ayat at Encyclopaedia Metallum
(other reviews of the album have mentioned this description). Ayat’s
official website does not acknowledge, or endorse, this term. The
entry also mentions “Dajjal” as a lyrical theme. |
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