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Interview with Eerie Von
June 2008 by Metal Mark |
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Eerie Von might be best known for his time as
bass player for Samhain and Danzig. He has also recorded solo
albums, photographed the Misfits in their early days and he is an
artist. I recently got to check in with him and find out more about
his career and his current projects.
When did you first get into music and what
were some of the first albums that really pulled you in?
I grew up listening to a lot of 50's Rock and Roll, and Doo-Wop,
along with Motown, and the Beatles. The first record I bought was an
Elvis album when I was 8.
You went to school with Doyle, how and when
did you first find out about the Misfits? What did you think when
you first heard them?
Doyle and I became friends around 13 back in Junior High, but I
didn't get into the Misfits until I was 14. He gave me some of their
early EPs, and made me some tapes of the unreleased MSP, and Static
Age sessions. I thought it was great that they were writing their
own songs, and putting out records without a record company.
You took a lot of pictures of the Misfits. How
did that opportunity come about? Do you still have all these
pictures? What are some of your favorites?
I took pictures from about 1978 on, and did all the High School
sports stuff. Doyle, and his brothers were all football players, so
I shot them, and once Doyle joined the band, he just asked me to
shoot them. I still have all the negatives, and my favorite stuff is
the "Cave" Session we did.
When did you start using the name Eerie Von?
Where did the idea come from?
I was Eerie in High School, and Von was a nickname from my family.
It was my Punk Rock name. Everybody had a Punk Rock name. |
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I am
guessing you became closer with Glenn than the other members of the
Misfits since he pulled you into Samhain. What do you remember when
Samhain was first forming? Didn’t you briefly play drums early on?
I was good friends with Doyle really, and me and Jerry played
basketball together sometimes. I got to be friends with Glenn
because I was making a lot of kool T-shirts, and we both collected
toys. Once he started saying he was gonna leave the Misfits, we
began talking about doing a new band, so we started rehearsing in my
basement, he played guitar, and I was on drums.
What was the writing and recording process
like with Samhain? Did the ideas flow easily? Was Glenn trying very
hard to steer clear of the Misfits’ sound?
Glenn had some songs that he didn't want to give to the Misfits,
like Blood Feast, and Death comes Ripping, but he needed them for
Earth A.D. He knew what he wanted the band to sound like, and since
the Misfits had turned into a Thrash type band, playing really fast,
we went for a much slower more musical thing. It used to piss people
off, that we weren't playing real fast.
Was Samhain’s music difficult to reproduce
live? What were some of the more memorable shows you played with
Samhain?
I remember Glenn saying, that there was the studio, and then there
was the live show, we didn't worry about what extra stuff there was
on the records, so we just played the songs in the format of a 3
piece band. The |
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1st show in
NYC at the Rock Hotel, and the Chicago Bloodbath are 2 of my
favorite shows, but they were all really kool.
What are some of your favorite Samhain songs?
I like a lot of the stuff on November Coming Fire the most, but
Samhain, and All Murder, All Guts, All fun, and He who Cannot be
Named, are also favorites.
How did you guys come to meet Rick Rubin? What
was it like working with him?
We decided to play the "New Music Seminar" at the Ritz in NY, kinda
like South by South West is today, and Rubin saw us there, and
wanted to work with us right away.
Why the band name change (to Danzig) and why
the image change?
Rick thought our image was too underground, and that we might scare
off, a lot of people, so we decided to change. Once Chuck Biscuits,
and John Christ joined, it wasn't Samhain anymore, so it seemed like
a natural progression. The name change, made sense for the same
reasons. It was a new band. |
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In
Danzig the music seemed to be more basic. Was this the band’s idea
or was it recommended to you guys to head in that direction?
John brought a lot of the Metal influence with him, but Glenn always
liked Black Sabbath, so it wasn't a big deal. It was all new to me,
because I had never listened to any of that stuff. Rubin brought in
an AC/DC influence, plus Glenn was into Blues, so it all came from
there.
What is your favorite Danzig album that you
played on? Why?
I like "How the Gods Kill" the most I think, because the band was at
the top of it's game. We recorded the basic tracks, in 4 days,
mostly 1-2 takes. We were really tight.
What were some of the more memorable moments
about being in Danzig?
The Irvine Meadows show in California, where they filmed the Live
"Mother" stuff, was a great moment. For a band like us, that wasn't
selling a lot of records, it was a real achievement to put 13,000
people in that place. The first Europe Tour with Metallica in 1988,
and some of the early shows with Slayer, were awesome as well. I
enjoyed touring with Type O Negative, Soundgarden, White Zombie, and
later, Marilyn Manson. The whole time was really terrific. |
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Why did you leave the band?
After Chuck left, a lot of the soul of the band went with him. It
just wasn't as good. The magic was gone. It was time to move on.
You have done some solo albums in recent
years. How has the writing and recording process with these albums
been different than when you were in Samhain and Danzig?
In Samhain, we recorded very quickly. As long as we got a good take,
with no mistakes, that was it. For Danzig, we spent a lot of time
working out the songs, and rehearsing, until we could just go in and
knock them out. We never took more than a few months to do a whole
album. Since I record all the music on my solo stuff, it takes
longer, but I just go for the feel rather than a perfect take. I
learned a lot about song writing, arranging, and producing, in
Danzig, and I think I've gotten pretty good at it all of them.
What are you currently working on music wise?
I'm recording a Country record.
What music are you currently listening to?
I still listen to what I always have. Blues, Country, Elvis, Motown,
The Beatles, the Stones, the Doors, lots of old stuff, plus new shit
too.
Tell us some about your artwork.
I've been painting and drawing since I was a kid, but I've been
painting full time for about 10 years. It's mostly spooky stuff.
Lots of Devils, and skulls, and just weird shit I have in my head.
Is there anything else that you would like say
about yourself, your music or your art?
I'd like to thank all the people who have supported me, from my
first band, thru Samhain, Danzig, and my solo stuff, and for
checking out the Paintings.
Come see me at
www.myspace.com/eerievonart or write me at
ev777@aol.com
go to
www.Eerievon.com and look for my Fiend Art Paintings on Ebay.
Thanks to Eerie Von for doing the interview. |
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