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Interview: Jon Oliva’s Pain with Jon Oliva
By: Joe Florez July 10, 2008

 
Despite what many of you may or may not think, Jon Oliva has been a busy boy for a long time and the work just keeps piling up. Those in the know, realize that his main passion is Trans Siberian Orchestra (T.S.O.). Every winter time, the project goes on tour on both coasts for two months and makes millions of people feel good. Some folks think that Savatage is a thing of the past, but it’s merely on hiatus. Just don’t ask him about when the next record will come out. I think however, most folks except the die hards fail to realize that when T.S.O. isn’t on tour that he’s hard at work writing, recording and planning a tour with Jon Oliva’s Pain. “Global Warning” is his third and latest venture in the metal world that is probably his most experimental recording to date. Unlike the previous two records which contained the most Savatage like material, this one ventures on compositions and vocal patterns that are not only 70’s progressive rock, but have a ton of Beatles influences. Some of the old schoolers may be put off by it’s retro sound, but this is what made Jon into what he is today. There is a lot here to soak in and if you listen to it about 3-4 times you may begin to understand Jon’s vision. Even though Jon is constantly hard at work, he was able to pry himself away from the studio to explain just what it is he’s being productive with.

Global Warning is your third disc under your solo band's name. Also, unlike the first two which had more of a Savatage flavor to them this one is more experimental. Let's take the opening title track. It's very grandiose sounding and has a 70's progressive rock feel to it. It reminds me a bit of Emerson, Lake and Palmer, especially with the Hammond organ. How did this all shape up? 
I was always a fan of ELP and Deep Purple so I suppose you could say it was sort of a tribute to them. We tried a lot of different idea's but the Hammond B3 just seemed to fit perfectly.

"Look At The World" is a song that you and your late brother Criss wrote during the Avatar days. When you listen to it, you can hear The Beatles influence in it, especially the way that it's composed and your singing style. Big fan? Also, what made you decide to bring this one out of the treasure chest?
Oh, God...The Beatles have always been my band. I learned a great deal of what I know from The Beatles. This song was Criss' and my first attempt at the Queen vibe.

"O To G" is a tribute song to your producer Greg Marchak who passed away before recording this album. Did you do any pre-production work with him before hand? 
He was so very important to the band and we miss him terribly. Myself, Christopher Kinder (drummer and producer of Global Warning) worked for many weeks with Greg just prior to his passing. We talked to him and scheduled our next studio session the night before he passed away. It was friggin’ awful!

 

Reading your liner notes in the booklet here, songs like "Stories", "You Never Know" and "Before I Hang" all come from the past with you and your brother. What made you decide to dust them off and complete them once and for all? 
I started a mission with my brother and there are still a great many of his ideas that have never been used. Until all of that material has been given it's proper due...the mission will continue!

There is a rumor or something that read that J.O.P. was going to release three records and then release it as a box set with extras. Any truth to that?  
We'll see about that....but right now we are enjoying some real growth not just as a band but with the fans and it's very exciting. So for now we will concentrate on recording, touring and maybe a live DVD in the near future.
I noticed that with "Maniacal Renderings" and this release is that you released a few versions of the product. There's the standard version, tin version and a Japanese one as well. Why so many to choose from? 
That's not really up to us...it's just marketing decisions made by the record company.

You are a piano player which is no secret, but you also play guitar and have put your skills to work on these records. Why didn't you play it more often, especially in Savatage? 
I played a lot of guitar in Savatage, especially after Criss passed away. When Criss was around it made no sense to let anyone else play but him.

I guess it's well known in your community that you dislike computers very much. Why are you so against them? 
Because they have no soul...and I believe it will play a significant part in bringing on the end times!

It's been a long time Jon, but will you tour the U.S. with this band? 
Absolutely....heading out with C2C and Manticora in October...It's going to be very special for Savatage fans as well.

How about future plans with this band? What is next for J.O.P.? 
New album is already in the works...more touring in Europe after the U.S. run and hopefully a solid Euro-Festival tour before releasing the new JOP CD in late 2009. I am having a blast with these guys and feel rejuvenated!

I noticed that you and Chris Caffery wrote and produced the first couple of Cirlce II Cirlce discs. Whose idea was it? 
We were just hanging out with Zak....and the rest just happened from there. It wasn't some master plan, but when the opportunity presented itself we said sure,...why not?

It's funny that the same musicians that were on Zak Steven's debut Circle II Circle record have been with you since day one. How did they manage to move over to your camp? 
They had issues with Zak's former manager and decided to leave. But I am no fool, and I made sure I grabbed them before someone else did.

Dr. Butcher was a side project that came out in the 90's with you and Mr. Caffery. It was a much darker and evil record compared to your day job. How did this come together? I love that record to death and I pretty much guess it's a one time only thing. It's probably better that way, no? 
Yeah it was great, but my time is spent now on JOP and TSO...and trust me, that keeps me crazy enough.

I read recently that you were inducted into the Florida music hall of fame or something equivalent to that. How did that go? 
It was very cool, and I had no idea it was even happening until someone contacted me and said..."Yo Mountain King, you won"!

 

 

Trans Siberian Orchestra is your cash cow...no doubt. Every Christmas season, you do the quick tour thing for two months and have musicians play in two different areas at once. Did you ever think that it would become such a commercial hit? Do you still tour with the band? What is in store with T.S.O. besides more touring? More CD's on the way?
 I never imagined it would ever become this big....and getting bigger. Our new CD, Night Castle, is almost complete.

Paul O' Neill is a famous producer and an individual you have worked with for many moons and was instrumental in helping you put T.S.O. together. I read that he single handedly saved your career after Savatage’s poppy metal record "Fight For The Rock." You were gonna’ call it quits after that. True? 
Absolutely true...we were ready to pack it in after 'Fight for the Nightmare".

One thing that has made you a stand out vocalist is that you have this signature scream or what ever you want to call it and you can hear it in "Sirens" and "Hall Of The Mountain King? Where did that come from? 
Probably straight from hell....seriously, I have no idea how my voice came to be what it is. But I am certainly thankful and it's clear that I don't sound like anyone else....and that could be either good or bad depending on your opinion...hahahaha!

Savatage's 25th anniversay is coming up soon, no? Are there plans to release a DVD or something?
There are no plans at this time to do anything Savatage related.

Lastly, the most asked question from fans from around the world...what did you eat for breakfast? Just kidding. Seriously, though. I know Savatage is on a hiatus and has been for a while, but is there something brewing? 
Savatage is now the Trans Siberian Orchestra....I am doing JOP and very happy with what we are doing. The other guys in Savatage have their own projects as well so we are all keeping quite busy. Life goes on, but the music is forever.
 
Any words you would like to say to the fans the world over? 
From the top and bottom of my heart, I thank you all. I could not have survived the last 25 years without you and hope that you will continue to share this journey with me and the music. Peace and much love to all!
 
www.jonoliva.net