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Interview With Phil Rind of Sacred Reich
at the London Scala on the 29th of July 2007 By Marco Gaminara

 

I was privileged enough to get to interview Phil Rind backstage at the London Scala 2 hours before their first show of their four show European tour, culminating at Wacken on the 4th of August.

After brief introductions we basically sat down and chatted, as my main line of questioning had hit a Nicaraguan mine by the fourth question.

I suppose I have a couple questions, it’s obviously been quite some time since you’ve played London, so are you looking forward to tonight?
Yes, quite a bit. I think it’ll be a lot of fun.

As I said, it’s been a while since you’ve done anything, what have you guys been doing for the last 8-10 years?
Nothing.

Nothing?
Yup. Wiley’s been jamming with his band The Human Condition. Greg’s played with a few bands…. Just working, just working and supporting my family.

Yeah, I know that one. So you guys gonna record anything new after touring?
No. We’re just getting together to play a few shows….

20th anniversary.
have some fun and go home.

Nothing planned for the future at all?
No plans at all…. Nothing… Absolutely nothing….

Cool, so that kills the rest of the questions that I had, like are you going to continue having a political nature to the lyrics and …
No, no, we’re not gonna do anything.

Fair enough.
And I like it that way.

No pressure, just go out and have fun.
Yip, enjoy it and realise that we know that nothing is going on. So we really appreciate these 4 shows. Because, I’m not writing a record. We’re not making a record. We’re probably not gonna be playing any other shows. Who knows, maybe in 2 years someone might go “Listen I have this deal and you guys can go to Greece and Italy and all these cool places and we’ll pay for it, and all you gotta do is turn up and play.” and we might go “That sounds good”. But I wouldn’t hold my breath for it, if you know what I mean. Cos I don’t think those offers are really coming. (Laughs) But if they do I’ll listen, but I don’t think they’re happening. And it’s hard, we all have jobs and families and it’s hard to get away. You work at a job in the States and you two weeks off in a year. It’s not like in Europe where you get a month off.

 
25 days.
Yeah, we don’t get that.
Wiley just got a pretty serious job. I just got a pretty serious job. You know it’s like, “Guess what? That’s the one that pays the bills, that takes care of my family.” and when I leave it’s not like the work goes away it just piles up until I get back. So I don’t have the luxury of doing this. When we were in the band, we were in the band and that was it. It was all we ever did. But it takes too much energy to do that on top of everything else that’s going on. Life’s too busy… Life’s different now, you know.

Yeah, definitely. Like many things have definitely changed over the last 20 years.
Oh yeah. It’s okay, it’s good. It’s gotta change. If it stayed the same it would be very boring.
You know, it’s like I said, we wanna have fun, we wanna play, have a good time and enjoy our company and enjoy the people that come and …

As soon as it stops being fun, it starts becoming hard work.

Well… It’s funny when I was sitting somewhere in Iowa and it was like the last place I wanted to be. I didn’t want to be sound checking. I didn’t want to play that night. Yeah it’s fucking job. I mean, everybody comes to that realisation when you’re in a band you do it for all… whatever… I’m sure there’s guys that get in bands cos they wanna get chicks. I’m sure there’s guys that get in bands cos they wanna be famous or there’s guys that get in bands cos they wanna get drugs or you know, whatever. But if you get in a band cos you just wanna play music and stuff, then it seems like it’ll be fun, well that’s cool, but one day the reality is… when you’ve played 20 shows in a row and you don’t wanna fucking be there or you don’t wanna, you know, whatever it is. You don’t wanna sign the contract or the people are fucking assholes, or whatever it is. And you realise “Hey! This is a job”. Just like any other job. There’s great things about it and there’s fucking horrible things about it. And usually the better things are, the higher things are, the worse things are too. You know. I learnt that by watching Jason, when he was in Metallica. You know, that’s the pinnacle, that’s as big as you fucking get. And the good stuff is rather obvious. You know, but talking to him there’s a lot of other stuff that people never think about too. He goes “Think about being on tour for a year and a half.” He goes “Even when you’re travelling on a private jet, staying in 5 star hotels.” You know, how hard can it be? But travelling’s still fucking hard. And playing all those shows every week is still hard. And he goes “That kid, wherever he is, in Iowa or Baton Rouge or New Mexico. That’s his one opportunity to see you. If you got a cold, or you don’t feel good, you don’t wanna be there. It don’t fucking matter. Cos that’s his chance to see you and you can’t let him down.” It’s a lot of pressure every fucking night. A LOT. And I bet that standing on stage in front of 20 thousand people will make you forget a lot of these little ills. You know, getting the energy back from the crowd, but still man, it’s a grind.

Especially after the show.
I’m telling you it’s a grind. For a year and a half? To be on the road?

Three weeks doesn’t seem so much now.
Yeah. I’m telling your. A year and a half. They were getting ready, I was hanging out with them, they were getting ready to go on tour, I think it was for “…And Justice For All”. And I went up to his house in San Francisco and they played that Day on the Green at Oakland Stadium, the next day he had to leave for Australia to do interviews. I go “Don’t they know there’s a thing called a phone? You can just fucking call me and I don’t have to fly half way around the world.” “That’s the way it is,” he goes, “I’d like nothing more than to sit on my couch for 2 weeks and do phoners, but I gotta go to Australia and then we’re going to Michigan for rehearsals then I’m on the road for 18 months… Solid.” Then he goes “Dude, I haven’t had more than 2 weeks off in 13 years… At once.” You know that’s crazy, and that’s the biggest band in the fucking world. So I was like “Wow dude.” Is that what we’re all working towards, to hopefully get like that? That’s like being in the middle of a fucking tornado, just barely holding on.

So that’s a very good point, what we’re striving to do is be what we see on TV, like the big bands are always on stage, always touring. And if we had to get up there, it would probably kill most of us.
Well that’s why most people don’t make it. Or if they get that big, a lot of people spin out. Because there’s nothing in your life that’s ever going to prepare you for that. You know what I mean. A lotta times, you look at someone like Kurt Cobain, or like, you know or if look at people that are really like artistic types, and they’re super sensitive. They don’t have that coping mechanism, if you know what I mean and they're just kinda out there and they’re open. And... And they just get fucking torn apart man. They can’t fucking take it. People turn to drugs and … I can’t imagine being that big and not know who your friends are and everyone wants to be around you and it’s just a whole fucking mess. A celebrity. I would hate to be that fucking famous, like that. It must be awful dude. Rich. I’m with you. Famous. Fuck that!

I’d rather be rich than famous.
Yeah, famous is a drag. I mean imagine being someone like Madonna or Arnold Schwarzenegger. Or like real mainstream fame, where everywhere you fucking go people look at you like a monkey in a cage. Argh. The fucking worst! That’ll be the worst. That’s my ultimate nightmare. Just, just leave me the fuck alone.

Not being able to get up in the morning and just…
Yeah, and people, there’s people, photographers, you know, outside your house waiting… It’s retarded. Leave those kind of people alone. Why does anyone care? Do we care because people make us care? Or do we care and that’s why people take the pictures?

I don’t know, that’s a very good point. It seems like we’re becoming a society of voyeurs where …
Reality shows.
 
People are more interested in what the hell other people are doing than living their own lives and doing their own things. It’s more interesting to sit at home, watch a box, watch people interacting, instead of going out and doing it ourselves.
Yeah and is it because that’s what we’re being fed? Or is that because that’s what we really want? I dunno. I wish I knew the answer. I think it’s probably a little of both. People… it’s the same reason why people when they see a car accident they slow down. They can’t help it. You wanna see bad shit. I had a teacher and he told me, he goes “You know, a lot of the times when something bad happens to someone. Inside we’re secretly a little happy. Because we think there’s a limited amount of bad things that can happen and if it happens to someone else it lessens our chance. And when something good happens to someone, then secretly we’re a little jealous cos there’s only a limited amount of good things that can happen, and if it happens to you then it might not happen to me.” That’s just not true. There’s no limit to the bad things that can happen and there’s no limit to the good things that can happen. So there’s no reason to feel good or bad either way. When things happen. But that’s how our nature is. But that’s not how our true nature is. It’s how we understand but not how it really is. And we misunderstand a lot of things. That’s the way it is.
Cool. Well, to just wrap things up, what are the 31 Flavours of 2007?
Oh, I dunno. What do you mean?

What are you listening to these days? That sort of thing.
Muse… A lot of Muse. Muse, U2, Amy Winehouse. What else? Bob Marley, Led Zeppelin, Beatles… Yeah pretty much... Bad Brains, oh yeah, a lot of Bad Brains. That’s pretty much it. You know. Whatever.

Whatever you enjoy.
Yeah, I like Muse a lot. Like one of my most favourite band for the last 10 years. I just think they are incredible. I like what they do. Like Amy Winehouse, she’s got a wonderful voice. Cool man. She’s got a great voice. A lot of singers with good voices, like over sing, she’s got a ready good vibe. I know she’s kinda a mess, a kinda celebrity in a bad way here. You know, but I dunno if it’s her fault once again or the people…

Around her…
Yeah, you know. But I don’t give a fuck about any of that I just like the music. It’s the same thing with the whole Metallica thing where people are like “They sold out”. I’m like “Did you ever meet James Hetfield?” “No” “Do you think that guy, I have, that guy isn’t doing anything cos he thinks he’s going to make money off it. He’s doing what he wants to do. If you don’t like it, just say you don’t like it. But don’t question people’s motives.” Some guy was trying to tell me that, you know with all the older bands that are getting together, that there’s some thing that people “oh they’re just trying to make money to pay their tax bills” or whatever or something retarded. Like I can’t believe anyone would even say that in the first place. It’s just stupid.

Yeah, like most of those bands, especially the whole Bay Area scene, they seem to have scattered and done other things and then come back together to reform bands that they were in in the 80’s. And then they’ve gone back out and carried on, as they are still in music or…
I don’t think anybody’s doing that shit for the money. I think people are doing it because there’s an opportunity and it’s just fun man. It was probably the best time of their fucking lives and if you get an opportunity to do that again, then you fucking do it. You know.

Yeah, and thank you very much.

Then Will of Metalblade piped up as we all got up and starting walking out of the green room:
There’s a lot of new thrash bands coming out. People are getting interested in the music. And then everyone’s “Oh I was into Thrash Metal when I was younger” and they want to see it again.
Right.

Loads of my friends are coming out tonight. Had a barbeque yesterday, all-thrash barbeque.
Oh really? That’ll be interesting.

It’s great that Municipal Waste do that. They’re really popular and they’re doing it that old school way of being in a band for 300 days a year. Playing anywhere that’ll have ‘em.
Yeah, they wrote me and said “we should do a split 7”.” I’m like “That would be fun”.

That would, you should do something like that.
I’d love to but we just don’t have anything to put on there. But if we record something at Wacken, they should put one song from their Wacken set and we should put 1 song from our Wacken set. Yeah, a split 7” is so fucking… how punk rock of you? Let’s do it.

Do it.
I’m totally in. I’ll talk to those guys.

Yeah, they’re fucking amazing man.
Yeah, they seem real nice.

At this point I turned off my recording device and we chatted a little more about enjoying the rest of the tour and tonight’s show. I helped them stash their beer out of sight so that it wouldn’t be finished before they got to drink it after the show. I then wandered off to find a spot to watch the gig and you can read all about that in the Live Reviews Section.

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